Comedian Myq Kaplan will record a new live stand-up album at Acme Comedy Company in Minneapolis from May 6 through May 9, 2026. The upcoming recording, tentatively titled “An Alphabet Album At Acme,” uses a structured format built around the 26 letters of the alphabet, delivering 26 distinct comedic segments across a one-hour set.
Kaplan, known for appearances on late-night television and his independent comedy specials, continues to experiment with format while keeping his signature wordplay and introspective style. Each night of the run will contribute to the final audio recording, giving audiences a chance to be part of the finished project.
“This is one of the most structured shows I’ve built,” said Kaplan. “Twenty-six letters, twenty-six ideas, one hour. It gives the audience something to follow while still being surprised.”
Acme Comedy Company has long been a destination for top touring comedians and live recordings. The venue's intimate setting and strong acoustics make it an ideal location for capturing a live comedy album. Tickets for the performances are available through Acme’s site.
Kaplan's approach with this album highlights a trend among comedians to embrace conceptual frameworks that offer both structure and spontaneity. By anchoring each segment to a letter, the show provides a clear narrative thread while allowing room for improvisation and audience interaction. This method could influence how other comedians design live performances, emphasizing the balance between prepared material and in-the-moment creativity.
The album's release will add to Kaplan's catalog of independent comedy specials, which have garnered a dedicated following. For fans, this recording offers a unique opportunity to witness the creative process firsthand and own a piece of comedy history created in a live setting. The choice of Minneapolis as the recording location also underscores the city's growing reputation as a hub for live comedy recordings, attracting top talent from across the country.
As the comedy industry continues to evolve, Kaplan's alphabet-themed album represents a fresh take on a classic format. The implications of this announcement extend beyond a single album; it signals a willingness among performers to push boundaries and engage audiences in new ways. Whether this structured approach becomes a trend remains to be seen, but for now, Kaplan’s experiment offers a compelling glimpse into the future of live comedy.
